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1975 Bluegrass People & Pickin Film - 2-Page Vintage Article

$ 7.37

Availability: 31 in stock
  • Condition: Original, Vintage magazine article; Good Condition
  • Genre: Country

    Description

    1975 Bluegrass People & Pickin Film - 2-Page Vintage Article
    Original, Vintage Magazine Article
    Page Size: Approx. 8" x 11" (21 cm x 28 cm) each page
    Condition: Good
    Believe me when I say that of all the
    bluegrass festivals taking place in all the
    ball parks and campgrounds of America,
    there is none as totally confounding and
    unexpected as the Delaware 3rd Annual
    Old-Time Bluegrass Festival. Its very
    name warns you of its oddball nature. So
    I was somewhat suprised last summer
    when Ron Ranter of New Jersey Public
    Broadcasting told me that he would
    shoot film on bluegrass music at the
    Delaware festival. At the time I thought
    Delaware the unlikeliest of festival sites.
    I mean Delaware, for gods sake! Who
    thinks of bluegrass when you mention
    Delaware ?
    It’s been five long months since the
    festival took place. Winter rains have
    almost swept clean the memory of what
    had been three days of fun and
    frolic--bluegrass style. Now Ron Ranter
    has completed his film. “Bluegrass:
    People & Pickin’ ” will be aired on New
    Jersey public television Sunday, March
    16 at 8:30.
    The 3rd Annual Old Time Bluegrass
    Festival seems to have absolutely
    everything stacked against it. It is a
    small festival compared to Galax or
    Union Grove. There are no crowds of
    twenty thousand. Only eight performing
    bands cross the small stage at Gloryland
    Park. The festival is scheduled for the
    hottest month of the year, a time when
    savy state residents try to be anywhere
    but home. The days are hot and humid
    with the ever present threat of
    thunderstorms. The dry, cracked earth
    that is Gloryland Park turns to mud at
    the mention of rain. The land is flat.
    There are few trees. These are the
    negative factors.
    On the positive side are Ralph
    Stanley and Bill Monroe.
    Monroe and Stanley co-produce the
    festival and headline it as well. And
    apparently that is enough. At least it
    was enough for Ranter who has been
    listening for years to these two living
    legends. “There are very few places in
    the east where you can hear Ralph
    Stanley and Bill Monroe sing together on
    the same stage,” said Ron.
    Ron’s first problem in obtaining
    permission to make his film was selling
    network brass on the merits of New
    Jersey public television filming an out of
    state music festival. “We pretty much
    like to stay in our own backyard,"
    explained Ranter. The New Jersey
    broadcasting authority is supported by
    state funds and there is a strong feeling
    that it’s primary responsibility is to the
    state of New Jersey. But according to
    Ranter, New Jersey Public Broadcast-
    ing also feels it has an additional
    responsibility “to create programming
    that is unavailable anywhere else.”
    New Jersey has no bluegrass
    festival of its own. “So we did what is
    unusual for New Jersey Public Broad-
    casting,” explained Ranter. “We went
    outside the state to produce the show.
    The station was willing to do this
    because the Delaware festival offered
    the potential to produce good program-
    ming.”
    Ranter began to assemble a crew as
    soon as he received permission to go
    ahead with his bluegrass project. “To do
    it properly,” he explained, “required the
    biggest single film crew we had ever put
    in one place.” The crew consisted of ten
    people. “A crew of ten sounds like a lot,”
    Ron said, “but when it got down to
    actually working, we could have used
    more men.”
    One immediate problem was work-
    ing with a crew unfamiliar with
    bluegrass music. Ranter solved this
    problem by bringing bluegrass records
    to work. He also brought in photographs
    of mandolins, banjos, Dobros, and
    D-sized Martins. “When I asked for a
    tight shot of a mandolin I didn’t want to
    end up with a closeup of a banjo," he
    said.
    The crew arrived in Glasgow,
    Delaware fully expecting to work hard
    but they were unprepared for the long,
    grueling hours under a hot sun. Arriving
    early Friday morning they began setting
    up for the concert that evening. The first
    night concert ran well past midnight.
    And by eight o’clock Saturday morning
    they were back filming the first of the
    days parking lot pickers, their voices
    still coarse with sleep. Throughout the...
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