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1975 James P. Slim Martin Country Bluegrass Musician - 1-Page Vintage Article

$ 7.37

Availability: 28 in stock
  • Genre: Country
  • Condition: Original, Vintage magazine article; Good Condition

    Description

    1975 James P. Slim Martin Country Bluegrass Musician - 1-Page Vintage Article
    Original, Vintage Magazine Article
    Page Size: Approx. 8" x 11" (21 cm x 28 cm)
    Condition: Good
    Slim and
    Wilma
    Martin
    at WALB
    Albany,
    Georgia
    during
    the late
    1940’s.
    SLIM MARTIN-
    THE MAN WHO BROUGHT IN THE
    GEORGIA MAIL:
    IN MEMORIAM
    Recently the country and bluegrass
    music world lost one of its lesser known
    but nonetheless significant figures -
    James P. Martin. Slim, as he was better
    known, is probably best remembered by
    contemporary fans for his festival
    appearances with Charlie Monroe. How-
    ever, in an earlier era he gained a degree
    of fame as a long-time member of the
    Kentucky Pardners and also as a sideman
    with Molly O’Day’s Cumberland Mountain
    Folks and the Bailey Brothers. Slim sang
    noteworthy old-time country duets with
    his wife, Wilma, and possessed consider-
    able talents as a comedian.
    Born at Murphy, North Carolina in
    1920, Slim Martin aspired to be a
    professional musician from his youth. As a
    teenager, he listened to area mountain
    string bands like the Mainers while
    simultaneously developing proficiency on
    both harmonica and fiddle. After
    graduation from high school, he joined a
    band , the North Georgia Ramblers. They
    went to Fredericksburg, Virginia and
    played on radio and also toured with a tent
    show. Later, he switched to a group
    known as Jack Ritchie and his Texas
    Rhythm Rangers with whom Slim played
    theaters from Maryland and West
    Virginia to North Carolina. He left the
    Rangers at Fayetteville and came to
    Burlington, North Carolina and a new
    station. Here Slim met his wife, Wilma,
    with whom he worked for the rest of his
    life. He also worked with Lester Flatt.
    When Lester left to join Charlie Monroe’s
    Kentucky Pardners, it was not long until
    Slim joined them.
    Slim and Wilma worked with the
    Kentucky Pardners off and on for many
    years. During this time, he played fiddle
    and harmonica on many radio stations and
    live shows. He participated in two Charlie
    Monroe record sessions for Victor in 1947
    and 1951. In Chicago in the former year,
    he did what was probably his most
    memorable harp work, playing on the
    classic train song, “Bringin’ In The
    Georgia Mail.” He helped Charlie write
    one of his better known numbers, “I’m
    Cornin’ Back, But I Don’t Know When.”
    As Slim recalled, they practiced their
    arrangement of the “Georgia Mail” for
    about three months prior to entering the
    studio.
    In 1949, Slim worked with Molly
    O’Day’s Cumberland Mountain Folks, first
    at WBIG, Greensboro and later at WROL,
    Knoxville. He recorded eight sides with
    them in April at Nashville, playing either
    harmonica or twin fiddles with Skeets
    Williamson. Lynn and Molly recorded one,
    of Slim’s compositions, “With You On My
    Mind” as a duet at that session.
    When the Davis’ left Knoxville, Slim
    returned to Greensboro, but soon he and
    Wilma joined the Bailey Brothers at
    WPTF, Raleigh. After two years with
    Charlie and Danny, Slim went back with
    the Kentucky Pardners and still later
    worked at Lebanon, Pennsylvania with
    Jack Hain doing considerable amounts of
    comedy. During this time, he also guested
    frequently at the WWVA Jamboree with
    the Baileys and Tater Tate who played
    there often.
    In more recent years, Slim worked as a
    disc jockey at Greensboro and he and
    Wilma played frequently in that area. He
    played on the sound track of two motion
    pictures - “Preacherman” and its sequel,
    “Preacherman Meets Widder Woman” - in
    which he played character roles in both
    films. Slim recalled how the New York ac-
    tors seemed so amazed at first at the
    perfection of his southern country accent
    before they realized he was just being his
    natural self. He recorded a couple of
    singles and did an 8-track tape which
    featured a variety of his talents including
    a comedy recitation called "Mundy, the
    Drinking Mule.” When Charlie Monroe
    emerged from retirement in 1972, Slim
    and Wilma played with him as often as
    conditions would permit. His death in
    early July will make him a sadly missed
    personality on the bluegrass scene.•
    14847-AL-7512-34